This series explores the sliding doors moments when life could easily split in two.
Each work circles around a recurring two-faced figure — Parallel Minds — who looks both left and right, caught between what was and what might be. The figure isn’t indecisive; it lives inside the tension of possibility.

The cityscapes, trains, bricks and patterns form a rhythm of decision-making: repetition, hesitation, release. Bricks pile slowly, marking the quiet passing of time, as trains move in opposite directions and buildings stack like choices waiting to be made.

Parallel Minds stands at the crossroads, inviting us to linger in that suspended space just before the decision — that charged pause where anything could happen.